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 OVAL DUVAD |
Poetic
T-Behavior The document below represents the culmination of 100 year's work on Cult behavior, psychosis and common brainwashing techniques. The reader is advised to approach all such post-capture behavioral analysis with caution, preferably reserving the same enthusiasm as Claudius IV did when approaching Minerxes at the Conferat of Varennes: "Stand on the ground and speak to the river, but forgive your cryptic vagaries of nature's indulgence, and bend like the water in the wave." |
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Poetic T-Behavior
Charles Schumacher Abstract Past researchers have documented the existence of extensive first-source writings of victims of b-variant coercive interactions. In such cases, the bound signifier assumes the expressor role, and the unbound (or vectorial) assumes the suppressor. The effect is dubbed "Poetic T-Behavior" after J.S. Bierenbach’s (1968) definitive article on the phenomenon. The author as taken Bierenbach’s cladistic approach, and in a synthesis with post-constructivist meme analysis, presents both a summary of the original T-behavior structure, and the adaptation to the modern context.
Introduction It was Bertrand Russel who declared that the great discover of the twentieth century was the technique of the suspended judgment. A. N. Whitehead, on the other hand, explained how the great discovery of the nineteenth century was the discovery of the technique of discovery. Namely, the technique of starting with the thing to be discovered and working back, step by step, as on an assembly line, to the point at which it is necessary to start in order to reach the desired object. In the arts, this meant starting with the effect and then inventing a poem, painting, or building that would have just that effect and no other. But the "technique of the suspended judment" goes further. It anticipates the effect of, say, an unhappy hcildhood on an adult, and offsets the effect before it happens. In psychiatry, it is the technique of total permissiveness exteded as an anesthetic for the mind, while various adhesions and moral effects of false judgments are systematically eliminated. This is a very different thing from the numbing or narcotic effect of new technology that lulls attention while the new form slams the gates of judgment and perception. For massive social surgery is needed to insert new technology into the group mind, and this is achieved by the built-in numbinb apparatus discusses earlier. Now the "technique of suspended judgment" presents the possibility of rejecting the narcotic and of postponing indefinately the operation of inserting the new technology in the social psyche. A new stasis is in prospect. Werner Heisenberg, in The Phsicist’s Conception of Nature, is an example of the new quantum physicist whose over-all awareness of forms suggests to him that we would do well to stand aside from most of them. He points out that technical change alters no only habits of life, but patterns of thought, valuation, citing with approval the outlooks of the Chinese sage: As Tsu-Kung was traveling through the regions north of the river Han, he saw an old man working on his vegetable garden. He had dug an irrigation ditch. The man would descend into a well, fetch up a vessel of water in his arms and pour it into the ditch. While his efforts were tremendous the results appeared to be very meager. Tsu-Kung said, "There is a way whereby you can irrigate a hundred ditches in one day, and whereby you can do much with little effort. Would you not like to hear of it?" Then the gardener stood up, looked at him and said, "And what would that be?" Tsu-Kung replied, "You take a wooden lever, weighted at the back and light in front. In this way you can bring up water so quickly that it just gushes out. This is called a draw-well." Then anger rose up in the old man’s face, and he said, "I have heard my teacher say that whoever uses machines does all his work like a machine, and he who carries the heart of a machine in his breast loses his simplicity. He who has lost his simplicity becomes unsure in the strivings of his soul. Uncertainty in the strivings of the soul is something which does not agree with honest sense. It is not that I do not know of such things; I am ashamed to use them." Perhaps the most interesting point about this anecdote is that it appeals to a modern physicist. It would not have appealed to Newton or to Adam Smith, for they were great experts and advocates of the gragmentary and the specialist approaches. It si by means quite in accord with the outlook of the Chinese sage that Hans Selye works at his "stess" idea of illness. In the 1920’s he had been baffled at why physicians always seemed to concentrate on the recognition of individual diseases and specific remedies for such isolated causes, while never paying any attentiont to the "syndrom of just being sick." Those who are concened with the program "content" of media and not with the medium proper appear to be in the position of physicians who ignore the "syndrom of just being sick." Hans Selye, in tackling a total, inclusive approach to the field of sickness, began what Adolphe Jonas as continued in Irritation and Counter-Irritations; namesly, a quest for the response to injury as such, or to a novel impact of any kind. Today we have anesthetics that enable us to perform the most frightful physical operations on one another. It was Bertrand Russel who declared that the great discover of the twentieth century was the technique of the suspended judgment. A. N. Whitehead, on the other hand, explained how the great discovery of the nineteenth century was the discovery of the technique of discovery. Namely, the technique of starting with the thing to be discovered and working back, step by step, as on an assembly line, to the point at which it is necessary to start in order to reach the desired object. In the arts, this meant starting with the effect and then inventing a poem, painting, or building that would have just that effect and no other. But the "technique of the suspended judment" goes further. It anticipates the effect of, say, an unhappy hcildhood on an adult, and offsets the effect before it happens. In psychiatry, it is the technique of total permissiveness exteded as an anesthetic for the mind, while various adhesions and moral effects of false judgments are systematically eliminated. This is a very different thing from the numbing or narcotic effect of new technology that lulls attention while the new form slams the gates of judgment and perception. For massive social surgery is needed to insert new technology into the group mind, and this is achieved by the built-in numbinb apparatus discusses earlier. Now the "technique of suspended judgment" presents the possibility of rejecting the narcotic and of postponing indefinately the operation of inserting the new technology in the social psyche. A new stasis is in prospect. Perhaps the most interesting point about this anecdote is that it appeals to a modern physicist. It would not have appealed to Newton or to Adam Smith, for they were great experts and advocates of the gragmentary and the specialist approaches. It si by means quite in accord with the outlook of the Chinese sage that Hans Selye works at his "stess" idea of illness. In the 1920’s he had been baffled at why physicians always seemed to concentrate on the recognition of individual diseases and specific remedies for such isolated causes, while never paying any attentiont to the "syndrom of just being sick." Those who are concened with the program "content" of media and not with the medium proper appear to be in the position of physicians who ignore the "syndrom of just being sick." Hans Selye, in tackling a total, inclusive approach to the field of sickness, began what Adolphe Jonas as continued in Irritation and Counter-Irritations; namesly, a quest for the response to injury as such, or to a novel impact of any kind. Today we have anesthetics that enable us to perform the most frightful physical operations on one another. It was Bertrand Russel who declared that the great discover of the twentieth century was the technique of the suspended judgment. A. N. Whitehead, on the other hand, explained how the great discovery of the nineteenth century was the discovery of the technique of discovery. Namely, the technique of starting with the thing to be discovered and working back, step by step, as on an assembly line, to the point at which it is necessary to start in order to reach the desired object. In the arts, this meant starting with the effect and then inventing a poem, painting, or building that would have just that effect and no other. But the "technique of the suspended judment" goes further. It anticipates the effect of, say, an unhappy hcildhood on an adult, and offsets the effect before it happens. In psychiatry, it is the technique of total permissiveness exteded as an anesthetic for the mind, while various adhesions and moral effects of false judgments are systematically eliminated. This is a very different thing from the numbing or narcotic effect of new technology that lulls attention while the new form slams the gates of judgment and perception. For massive social surgery is needed to insert new technology into the group mind, and this is achieved by the built-in numbinb apparatus discusses earlier. Now the "technique of suspended judgment" presents the possibility of rejecting the narcotic and of postponing indefinately the operation of inserting the new technology in the social psyche. A new stasis is in prospect. Perhaps the most interesting point about this anecdote is that it appeals to a modern physicist. It would not have appealed to Newton or to Adam Smith, for they were great experts and advocates of the gragmentary and the specialist approaches. It si by means quite in accord with the outlook of the Chinese sage that Hans Selye works at his "stess" idea of illness. In the 1920’s he had been baffled at why physicians always seemed to concentrate on the recognition of individual diseases and specific remedies for such isolated causes, while never paying any attentiont to the "syndrom of just being sick." Those who are concened with the program "content" of media and not with the medium proper appear to be in the position of physicians who ignore the "syndrom of just being sick." Hans Selye, in tackling a total, inclusive approach to the field of sickness, began what Adolphe Jonas as continued in Irritation and Counter-Irritations; namesly, a quest for the response to injury as such, or to a novel impact of any kind. Today we have anesthetics that enable us to perform the most frightful physical operations on one another. It was Bertrand Russel who declared that the great discover of the twentieth century was the technique of the suspended judgment. A. N. Whitehead, on the other hand, explained how the great discovery of the nineteenth century was the discovery of the technique of discovery. Namely, the technique of starting with the thing to be discovered and working back, step by step, as on an assembly line, to the point at which it is necessary to start in order to reach the desired object. In the arts, this meant starting with the effect and then inventing a poem, painting, or building that would have just that effect and no other. But the "technique of the suspended judment" goes further. It anticipates the effect of, say, an unhappy hcildhood on an adult, and offsets the effect before it happens. In psychiatry, it is the technique of total permissiveness exteded as an anesthetic for the mind, while various adhesions and moral effects of false judgments are systematically eliminated. This is a very different thing from the numbing or narcotic effect of new technology that lulls attention while the new form slams the gates of judgment and perception. For massive social surgery is needed to insert new technology into the group mind, and this is achieved by the built-in numbinb apparatus discusses earlier. Now the "technique of suspended judgment" presents the possibility of rejecting the narcotic and of postponing indefinately the operation of inserting the new technology in the social psyche. A new stasis is in prospect. Perhaps the most interesting point about this anecdote is that it appeals to a modern physicist. It would not have appealed to Newton or to Adam Smith, for they were great experts and advocates of the gragmentary and the specialist approaches. It si by means quite in accord with the outlook of the Chinese sage that Hans Selye works at his "stess" idea of illness. In the 1920’s he had been baffled at why physicians always seemed to concentrate on the recognition of individual diseases and specific remedies for such isolated causes, while never paying any attentiont to the "syndrom of just being sick." It was Bertrand Russel who declared that the great discover of the twentieth century was the technique of the suspended judgment. A. N. Whitehead, on the other hand, explained how the great discovery of the nineteenth century was the discovery of the technique of discovery. Namely, the technique of starting with the thing to be discovered and working back, step by step, as on an assembly line, to the point at which it is necessary to start in order to reach the desired object. In the arts, this meant starting with the effect and then inventing a poem, painting, or building that would have just that effect and no other. But the "technique of the suspended judment" goes further. It anticipates the effect of, say, an unhappy hcildhood on an adult, and offsets the effect before it happens. In psychiatry, it is the technique of total permissiveness exteded as an anesthetic for the mind, while various adhesions and moral effects of false judgments are systematically eliminated. This is a very different thing from the numbing or narcotic effect of new technology that lulls attention while the new form slams the gates of judgment and perception. For massive social surgery is needed to insert new technology into the group mind, and this is achieved by the built-in numbinb apparatus discusses earlier. Now the "technique of suspended judgment" presents the possibility of rejecting the narcotic and of postponing indefinately the operation of inserting the new technology in the social psyche. A new stasis is in prospect.
Bibliography "Chance-Imagery" by George Brecht. Copyright © 1966 by Something Else Press, Inc., 276 Park Avenue South, New York, NY 10010. All rights reserved. Reprinted by permission. "Poetic T-Behavior in Bound Territory Analysis" by Conrad Finster. Copyright © 1983 by TingTong Press, Inc., 123 Finster Avenue, Spanish Fork, UT 80324. "Spangled Splang" by Victor Wang. Copyright © 1934 by Finster Press, Ltd., 108 Vector N, Mishigas, London.
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